I am a music historian and philologist who is active on both sides of the medieval/early modern divide. With regard to the latter ‘period’, my research focusses thematically on sacred music in the age of confessionalisation and geographically on Central and Central Eastern Europe. My interest in codicology in particular has led to collaborations with art historians, e.g. through the AHRC-funded project The Production and Reading of Music Sources, 1470-1530 and a long-term project on deluxe music manuscripts from the Munich court.