I’m the author of four books: Feeling Pleasures: The Sense of Touch in Renaissance England (OUP, 2014), A Stain in the Blood: The Remarkable Voyage of Sir Kenelm Digby (William Heinemann, 2016), Iconoclasm as Child’s Play (Stanford University Press, 2019) and Making Darkness Light: The Lives and Times of John Milton (Basic Books, 2021). I’m currently co-editing a collection of essays that pair Edmund Spenser's poetry with a series of modern thinkers, and slowly my work on Kenelm Digby's correspondence for OUP. I’m interested in what Spenser and Milton’s inexhaustible epics do to us as readers; in how early modern literature represents and acts upon bodies and senses; in the writing of renaissance lives and letters; in dialogues between areas of early modern culture, and between early modern and modern thought; and in ways of communicating all the things that make the sixteenth and seventeenth centuries weird and wonderful to audiences beyond the academy.